La mort de Louis XIV
Nocturama (Previously Unreleased)
Certain Women (Previously Unreleased)
L'amant double
Dunkirk
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The Thinking Machine 9: The Sea Speaks

In 1927, filmmaker-theorist Jean Epstein (1897-1953) followed an "impulse toward the exterior", trading the Parisian avant-garde for an encounter with the raw nature and culture of Brittany. Stripping out the plots and male characters, then forming a composite poem (using seven films) from images and sounds of the sea and women, this audiovisual essay echoes James Schneider's insight: 'By using cinema to grant perspective to the non-human – to the oceans, the tides, the tempests – humankind gains a vital perspective on itself.'

© Cristina Álvarez López & Adrian Martin, June 2017

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The Thinking Machine 9: The Sea Speaks

The Thinking Machine 9: The Sea Speaks
08 July 2017
In 1927, filmmaker-theorist Jean Epstein (1897-1953) followed an "impulse toward the exterior", trading the Parisian avant-garde for an encounter with the raw nature and culture of Brittany.
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The Thinking Machine 8: Plumbing

The Thinking Machine 8: Plumbing
31 May 2017
At a polite social gathering in Ernst Lubitsch' masterpiece Cluny Brown (1946), the “plumbing” interrupts the formality of the occasion. How does Lubitsch align our sympathies and judgements with everything that most vitally matters?
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The Thinking Machine 7: The Holy Family

The Thinking Machine 7: The Holy Family
09 May 2017
Philippe Garrel’s Le révélateur (1968) and David Lynch’s The Grandmother (1970) are among the masterpieces of experimental cinema. They also enter into uncanny resonance with each other when placed side by side, becoming part of the same cultural history.
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The Thinking Machine 6: Pieces of Spaces

The Thinking Machine 6: Pieces of Spaces
29 March 2017
A close audiovisual look at Peter Tscherkassky's Outer Space and Sidney Furie's The Entity in tandem reveals how truly inspired Tscherkassky was by this remarkably stylised horror film.
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The Thinking Machine 5: One Hell of a Ride

The Thinking Machine 5: One Hell of a Ride
28 February 2017
Not a mash-up, but a smash-up of two great monuments of contemporary cinema: David Lynch's Inland Empire and Smiley Face by Gregg Araki.
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The Thinking Machine 4: Wish I Had a River

The Thinking Machine 4: Wish I Had a River
18 January 2017
Critics Cristina Álvarez López and Adrian Martin create a new video essay for De Filmkrant every month. This installment focuses on Jean Renoir’s 40 minute masterpiece Partie de campagne (1936), a poignantly uncompleted work.
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The Thinking Machine 3: Always a Window

The Thinking Machine 3: Always a Window
14 December 2016
How do motifs work in cinema? Something (a word, an object, a shape, a colour, a musical theme) is repeated, underlined, invested with meaning until it forms a recognisable pattern or system. In Luis Buñuel’s remarkable adaptation of Wuthering Heights as Abismos de pasión (1953), the window becomes a key motif.
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The Thinking Machine 2: Decisions, Decisions

The Thinking Machine 2: Decisions, Decisions
09 November 2016
The scene: a man alone in a room. Within himself, he makes a decision that will signal a key turning point in the narrative of a movie. How does a director conceive, stage and edit such a difficult scene?
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The Thinking Machine 1: Death-Drive

The Thinking Machine 1: Death-Drive
12 October 2016
In their series The Thinking Machine, critics Cristina Álvarez López and Adrian Martin create a new video essay for De Filmkrant every month. This first installment focuses on The Girl on a Motorcycle, a film which is built upon two different kinds of movement.
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Video-essay: Steven Spielbergs eettafels

Video-essay: Steven Spielbergs eettafels
09 July 2016
Gisteravond opende in EYE het zomerprogramma Steven Spielberg: Meesterverteller. In een nieuw video-essay onderzoekt Filmkrant-redacteur Joost Broeren de rol die de bescheiden eettafel in het werk van de spectakelregisseur heeft.
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